Comments on: Winsor and Newton Professional Artists’ Field Set https://johnhaywoodwatercolours.co.uk/2015/06/11/winsor-and-newton-professional-artists-field-set/?utm_source=rss&utm_medium=rss&utm_campaign=winsor-and-newton-professional-artists-field-set Bold, Evocative Watercolour Paintings by John Haywood Mon, 29 Jan 2024 11:51:56 +0000 hourly 1 https://wordpress.org/?v=6.8.3 By: John Haywood https://johnhaywoodwatercolours.co.uk/2015/06/11/winsor-and-newton-professional-artists-field-set/#comment-5136 Mon, 29 Jan 2024 11:51:56 +0000 http://brusheswithwatercolour.com/?p=649#comment-5136 In reply to Graham Tapper.

Hi Graham and thanks for this. It’s a really interesting dilemma you pose and I don’t think there’s a single straightforward answer, but happy to give my take! When I first picked up my brushes again I started off trying to emulate the work of painters that I really admired. These were quite wide ranging but in particular Hilder, Joh Yardley, Edwards Wesson and Seago were all major influences. I saw this period as akin to serving my apprenticeship – learning the skills and techniques of these amazing artists as best I could. Only after doing this for ages (years!) did I gradually begin to find and develop more of my own voice and approach – all the while picking up ideas, influences and approaches from other artists (the likes of Joseph Zbukvic and Alvaro Castagnet come to mind at this point). And I still think this process is ongoing but out of it, my own personal take and interpretation of subjects is coming through more and more strongly. I hope that this is of some help. I don’t think there are many shortcuts to take in this journey – be patient, be prepared to fail a lot and just try to enjoy it as much as possible!

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By: Graham Tapper https://johnhaywoodwatercolours.co.uk/2015/06/11/winsor-and-newton-professional-artists-field-set/#comment-5129 Thu, 25 Jan 2024 08:47:25 +0000 http://brusheswithwatercolour.com/?p=649#comment-5129 Hello John,
I came across your blog this morning and found some fascinating ideas that will surely help me along the way with my attempts at watercolour. Some early attempts at emulatin Rowland Hilder left me somewhat bewildered and now many years later I have taken up the brushes again. I find its so hard to abandon ones own habbits and preferences and colour tends to “leak back” into my paintings. How do you dicipline yourself to abandon your own style ?
Kind Regards,
Graham Tapper,
tappergraham@gmail.com

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